Neo: Closed eyes, open eyes, noses/mouths, cone piece, waffle chip. Make any revisions to final project.ĭec 9: Make final revisions. Start on scenes 12-15ĭec 7: Finalize scenes 12-15. For thanksgiving break work on Scenes 7-11.ĭec 2: Finalize scenes 7-11. Nov 18: Continue working on assets and have scenes 1-3 completed at end of day. Ive got it planned out for 3 scenes to be completed a week at minimum for this project to be completed on time. I took the original script and storyboard and broke it down into each separate scene: I worked a lot on my assets last week and didnt get to work a whole lot over my assets over the weekend, but its ok because for my schedule I worked in finalizing all assets until Thursday. And i'm excited to use after effects for other projects in the future. Overall, i've learned a lot from this class. It'll be finished, but it will not look how I intended for it to look and the quality will begin to dwindle very quickly. Given the time constraint, ill do my best to finish this project. I started working on student login, things went a little smoother, but to replace the missing files I almost had to entirely re-animate half of the project I have already spent the last week working on. Programs wouldnt start, wouldnt run, and then files started disappearing. ![]() I ran into some major problems last night as far as working under my own student login. Majority of the work will be done tonight because I dont actually have to be at my job for once. As well as the DVD and everything that goes on the DVD itself. But if you look at it as it is due today, no I didn't finish it. So, with that in mind I am still on schedule. However, my schedule from the start does not have me finishing this animation until Thursday morning. ![]() In this video, the fine folks at Aputure give us a quick tutorial on capturing a couple different lighting setups with minimal equipment.Final finals due today. Or, if your shooting a top down video like a cooking video or an unboxing, you'll probably want soft high-key lighting. If you're shooting a dramatic, B&W Film Noir, you'll want to study up on chiaroscuro lighting. Obviously, the type of lighting you want depends on context. If you're planning an overhead shot that needs to rack focus, make sure you're set up for a shallow depth of field. If your overhead shot is meant to focus on a tiny detail, a zoom or macro lens will do the trick.Ĭhances are good that you only need one focal plane in focus, so you might consider adjusting your camera settings for a deep depth of field. ![]() The wider you want the field of view, you might consider a wide angle lens. As you'll see, some of these mounts are more ideal than others.Īs mentioned above, the type of camera framing you want for the shot will dictate which type of camera lens to use. This video covers the various mounting mechanisms you can use, from a simple tripod all the way to a permanent wall mount. You'll need some sort of mounting mechanism, a wide angle or zoom lens (depending on your desired framing), a way to monitor the shot, and a lighting kit. The equipment necessary to pull off an overhead shot is actually pretty limited. And we'll also cover some overhead shot lighting tips that will help give them that professional look. There are a few considerations for executing an overhead shot that you might not be aware of. When you show your Director of Photography and camera person your boards, they will immediately know what type of shot you need and how to frame the subjects. We've see the various ways you can use overhead shots in film are they really that easy to shoot? Yes and no. A good storyboard allows you to show your crew what you have in mind, and saves you from trying to convey what you want with wordy explanations and frustrated hand gestures. OVERHEAD SHOT EXECUTION How to film overhead shots In the next section, we'll get a little more practical and show you how to film overhead shots. Dive into some of our classes and use the product to implement what you learn.
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